The Relevance of the
Historical Meno’s Character
in Plato’s Dialogue Meno
William M. Schneider
G.M.A. Grube, in introductory notes to
his
translation of Plato’s
dialogue Meno, recommends the choice of the historical Meno mainly
because it adds to the ironic effects of the dialogue. Grube explains:
Meno’s
character is not immediately relevant to the discussion, but Plato seems to
expect his readers to know of his reputation, for this knowledge adds something
to the bitter irony of certain statements made by and about him, "the
hereditary friend of the great King."
While Grube’s observation fits
well with the traditional emphasis on Plato’s use of irony in the Sokratic
dialogues, it badly misses the most important contribution to the dialogue
played by this historical reference. In what follows, I will attempt to make
clear a far more important use for the well-known character of Meno, one which
works not only in the context of the dialogue which bears his name but which
stretches beyond to form part of the organic work on education Plato presents
in the early dialogues.
The dialogues of Plato may be
assessed on a number of different levels of interpretation. For example, they
may be read on a fairly superficial level, as accounts (some fairly accurate,
others clearly fictional) of the daily life of the philosopher Sokrates. On
this level, the dialogues give us ". . . a picture of Greek life, above
all, of the intensity of interest the Athenians took in the purely
intellectual" as Edith Hamilton writes in her introduction to Plato’s
dialogue Protagoras.
The same dialogues, at a
slightly deeper level, can be read as an introduction to most of the important
philosophical issues and puzzles of Plato’s day. Many of these are of enduring
quality. We detect the growth of a philosophic system, from its nascent stages
in the so-called early dialogues, whose ostensible concern is with the
definition of various moral concepts, through the development of positions in
epistemology and metaphysics, whose mature expression we see in the so-called
middle-period dialogues. It is apparently in these epistemological and
metaphysical doctrines that we must hope to find the answers to the earlier
moral inquiries. Plato’s late dialogues serve, at least in part, to probe the
strengths and weaknesses of the middle-period doctrines.
Analysis of the dialogues at
either of these two levels is done from outside the dialogue, from a coign of
vantage that allows us to observe the activity, both dramatic and philosophic,
without running the risk of personal commitment. At these levels, we appreciate
the work of Plato as the tourist, camera in hand, appreciates her stroll
through the Uffizi. But there is a still deeper level of analysis to which we
may proceed in our reading of the dialogues. It is at this deeper level that we
ourselves become participants in the dialogue. We are there, on the
king-Archon’s porch, silently witnessing the investigation of piety between Euthyphro
and Sokrates. We, too, sit in the house of Anytus, quietly listening to Meno
and Sokrates struggle alternately toward a definition of ‘virtue’ and an answer
to the question "Is virtue teachable?". We find ourselves in the
prison chambers, among Sokrates’ other friends, listening to the searching
questions of Simmias and Cebes, and hearing Sokrates’ forceful responses. And
all the while, we are trying hard to forget that this lively discussion of the
immortality of the soul is not academic; our friend Sokrates is about to die.
Plato has written these dialogues so that, at a deeper level, we can find
ourselves there among the listeners, yet with one peculiar advantage: we are
vouchedsafe a knowledge denied to the other characters. We hear Sokrates’ request
that Euthyphro teach him about piety so that Sokrates may better defend himself
in court, knowing that Sokrates will be convicted of impiety and sentenced to
die. We witness Sokrates’ final request of Meno, that he convince Anytus
". . . of these very things of which you yourself have been convinced, in
order that he may be more amenable" [100b], knowing that he will fail and
that Anytus himself will be in the van of those who accuse Sokrates of crimes
against the state.
If we focus our analysis of the
Meno in terms of either of the first two interpretive approaches, our
extra-dialogic knowledge of Meno’s vicious character seems irrelevant. We can
read the dialogues and appreciate any number of elements of the sort called to
our attention at the first and second levels of interpretation without ever
troubling to connect these with the popular view of Meno’s wicked character. It
seems possible, on either of these interpretive tacks, to replace Meno with
some other contemporary of Sokrates, even a figure who is virtuous rather than
vicious or about whom nothing is known beyond his description in the dialogue.
We could even create an altogether fictitious character in place of Meno and
learn as much from the dialogues with respect to those issues featured in
either of the first two levels of interpretation.
It is only when we reach the
third, much deeper level of interpretation, that our extra-dialogic knowledge
of Meno’s wicked character becomes important to the lesson Plato hopes, I
think, to impart. As we silently watch the halting progress of the conversation
between Meno and Sokrates, we begin to wonder if we could answer Sokrates’
questions or if we, too, are as confused about the nature of this topic about
which we thought we had such fine knowledge. We reflect on how we thought we
knew quite well what virtue is and could easily give its characteristics. But
now we begin to doubt. Our ignorance is exposed by the penetrating questions
Sokrates asks. What if he turns to question us? It becomes clear that we, too,
lack knowledge of the proper definition of ‘virtue’, that this concept, for us,
is not tied down and will not remain in place [98a]. This is the first
crucial step in our moral education.
But what are the consequences
of lacking knowledge of the proper definition of ‘virtue’? We see in the Euthyphro
that knowledge of the proper definition of a moral concept would serve us as a
map and make it possible for us to guide ourselves reliably toward our desired
goal: the pious life. Moreover, we learn in the Meno that, while true
belief could guide us to the same goal as knowledge, it could desert us at any
time, leaving us without a guide; trusting in true belief as a guide is to
trust in luck to carry us safely home. We want more than luck when the stakes
are always high, as they are in choosing those actions which make up the good
life.
We may even regularly choose
the wrong actions in our ignorance of virtue. We may find ourselves among those
who choose to do what is bad, believing it to be good and, in so doing, secure
for ourselves a life of misery and unhappiness [77c-78b]. There is a clear
positive correlation between ignorance and wickedness. This Plato wants us to
recognize.
It becomes clear, as we read
Plato’s Meno, that Meno lacks knowledge of virtue. He cannot give a
proper definition of it. And how could it be otherwise? Meno throughout shows
himself to be a lazy inquirer. Plato depicts Meno as an incapable student; he
is only interested in being told things: "I would stay . . . if you
could tell me more things like these: [77a]; "What do you say color
is?" [76a]; "No, Socrates, but you tell me" [75b]; etc.
But to be told is not to learn. Learning—recollection, as Sokrates explains
that hypothesis to Meno—requires all the work of the Sokratic inquiry, and Meno
lacks the discipline to carry out such an investigation. Any time Meno tries to
engage in the Sokratic question-and-answer he becomes hopelessly lost. Meno
can’t even remember how to apply lessons just concluded—as when he fails to
notice that the Gorgias-style definition of ‘color’ he has just
enthusiastically embraced may fail the very conditions for a proper definition
that they had just finished outlining. Borrowing an image later used by Plato,
it is clear that nothing is staying tied down in Meno’s soul (i.e., mind); true
belief flies from Meno as fast as Sokrates points it out.
Now, consider Meno’s character
as it is described by Xenophon (and as it would be generally known by Plato’s
audience). He is a vicious person. He is greedy, unscrupulous, treacherous and
ambitious for power. This character should not surprise us, since we have seen
that Meno has neither knowledge nor true belief concerning virtue. Excepting
luck (as a gift of the gods), how could Meno be other than a wicked person? Is
it possible that Meno does have a knowledge of virtue and that he simply thinks
it better to disregard that knowledge? Not according to Plato (or Sokrates).
Recall the (77c-78b) interchange between Meno and Sokrates about desiring good
and bad things: they agree that no one will desire what is bad (hence harmful).
Thus, it can’t be that Meno desires to be wicked and so willingly chooses to do
bad things. This must be done out of ignorance on his part. But look at the
shocking result of this ignorance: Meno has become a horrible person (infamous
among the Athenians, if Xenophon is to be accorded any degree of trust on this
matter).
Just as in the Euthyphro,
Plato here gives us a lesson in the importance of applied ethics: if a person
fails to understand the general moral principles which define the virtues, he
runs the risk of making terrible choices concerning his actions, choices which
may have important consequences for both that individual and those around him.
In the Euthyphro, it was Euthyphro’s ignorance of piety that threatened
to trap him in the most impious of actions: offending the gods by harming his
own father. At the close of that dialogue, we see Euthyphro running off (one
hopes) to reconsider his understanding of piety and so reassess his actions in
light of his new understanding. We understand that Euthyphro’s confusion at the
close of the dialogue is the necessary first step in his coming to learn about
piety. Having no knowledge of the life of a historical Euthyphro, we (students
of Plato) may harbor some hope that, as a result of the Sokratic investigation,
Euthyphro is on his way to living a better, more pious life—one characterized
by wisdom, not ignorance.
But in the Meno, we
clearly are not meant to have that hope. Plato realizes that we know only too
well what happens to Meno after he leaves this conversation with Sokrates. He
cannot convince Anytus to recognize the sense in Sokrates’ investigation. He
does not start down the road to gaining wisdom. He continues to live in ignorance
and, because of this ignorance, he continues to live wickedly. Since his head
is stuffed with false beliefs about virtue, he lives poorly, for he is always
deceiving himself, believing that he is living virtuously.
At the deeper level of
interpretation with which we have been working, we can see ourselves in Meno’s
place. We recognize who it is we could become if we fail to heed Sokrates’ call
to learn. We might fail to search for the proper definition of ‘virtue’, so
fail to make the right choices and come to live like Meno, oblivious to the
fact that we’re leading a horrible life and harming ourselves terribly.
Realization of the intimate connection between ignorance and wickedness and its
embodiment in the person of Meno is the next step in our education, the
prompt we need to motivate our search for the proper definition of
‘virtue’. If we know we are ignorant and that such ignorance may cause us to
live miserably, we will be concerned to search for the proper definition of
‘virtue’. If Plato had used a character who wasn’t generally known for his
wickedness, this strong message would be less real to us. Perhaps it would be
lost to us altogether. In this way, I think, the character of Meno is crucial
to the complete understanding, appreciation, and application of the main issues
in Plato’s Meno.
The translator, G.M.A. Grube,
must be aware of the deeper level of interpretation at which our extra-dialogic
knowledge of Meno’s character becomes relevant, for it is at this level that
irony must work. But I think Grube fails to see beyond Plato’s use of our
understanding of the historical Meno’s character and its connection to ironic
reference in the Meno. It is at this deeper level that we also see our
own involvement in the issues under discussion, and the importance of fully
understanding these issues for the way we live our life. I think that Plato
wants us to go beyond the role of mere tourist in the dialogue; he wants us to
feel the difficulties as our own and to recognize that the choices we make have
far-reaching, often grave consequences for who we are and how we live (these
two—who we are and how we live—are one, for Plato). Meno is held up to us as a
clear and frightening example of who we might become if we are lazy inquirers.
As Sokrates warns us: "I do not insist that my argument is right in all
other respects, but I would contend at all costs both in word and deed as far
as I could that we will be better men, braver and less idle, if we believe that
one must search for the things one does not know, rather than if we believe
that it is not possible to find out what we do not know and that we must not
look for it" [86b-c].